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I see possibility as plenty at the beginning and boiled down to only one in the end; the present seems narrower than the past, and so does the future the present. 蔡明亮的敘事總是好得瘋狂。沒見過同類。愛情,臭不要臉地總結說,《老师的家访》吴梦梦似乎是命運之欲望忘掉生活時做的夢。而且當兩種愛情衝突的時候一種或者兩種必然淪落為生活的一部分。劇情簡介那個投射觀念倒是很有意思。看電影時腦袋裏就出來介質這個詞但沒想明白什麽是什麽的介質,看簡介說法突然記起。當介質也是一個有血有肉有思想有社會地位和行為方式(或許pattern)的移動體的時候;骨灰之介質,人之介質
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